RS2/C200 Rigging Guide
Canon C200 / DJI RS2 Rigging Guide
Introduction:
In this post, I'll be sharing my Canon C200/RS2 rig setup, which allows me to seamlessly switch between handheld and gimbal shooting without the need for any tools.
C200 - Handheld:
Let's start with the handheld configuration of my Canon C200 rig. For this setup, I've made some customizations to ensure everything stays secure and convenient. One of the key modifications is the homemade microphone mount for my Sennheiser MKE 600 shotgun mic. I used a NATO rail and some D-ring 1/4-20 screws to achieve this setup.
Power-wise, I rely on the Power Extra BP-A60 battery, which provides me with a solid 5 to 6 hours of recording time during a wedding day, with intermittent use.
Lastly, I have a big Manfrotto plate on the bottom, which is compatible with the RS2 gimbal, allowing for a smooth transition between handheld and gimbal setups.
C200 - Gimbal:
Switching to the gimbal setup, my goal was to keep the C200 rig's weight similar to my old Pocket 6K rig. To achieve this, I opted not to use a V-mount on this setup, making it more balanced and portable.
Starting from the top, I mounted the stock monitor without the top handle, and with the addition of a spacer to the C200's thumb screw, it fits perfectly.
Camera Control:
Recap:
In conclusion, my Canon C200 rig is highly versatile, providing outstanding performance both in handheld and gimbal shooting scenarios. The camera's internal ND filters, cinema raw lite, and impressive 15 stops of dynamic range make it a reliable choice for wedding films.
With the recent price drop in the C200, I believe it’s now becoming a great option for anyone who wants the performance, and is willing to carry the extra weight to get it.